作為第 5 屆伊斯坦布爾設(shè)計(jì)雙年展的一部分，Ossidiana 工作室打造了一個(gè)有趣且富有雕塑感的浮動(dòng)花園 Büyükada Songlines

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動(dòng)態(tài)設(shè)計(jì)和建筑實(shí)踐工作室 Ossidiana 的 Alessandra Covini 和 Giovanni Bellotti 發(fā)布了他們引人注目的浮動(dòng)花園的第一個(gè)視覺(jué)效果；Büyükada Songlines 是一個(gè)有趣的雕塑建筑花園作品，是第五屆伊斯坦布爾設(shè)計(jì)雙年展的一部分，剛剛開(kāi)始在馬爾馬拉海和博斯普魯斯海峽沿岸巡航，將伊斯坦布爾的王子群島與該市的亞洲和歐洲海岸連接起來(lái)。?

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這件作品的靈感來(lái)自旅行作家布魯斯·查特文 (Bruce Chatwin) 的日記，解釋了團(tuán)隊(duì)。與 Studio Ossidiana 對(duì)形式和材料的探索一致，該花園受到“獨(dú)特的地中海小氣候、鳥(niǎo)類(lèi)不斷變化的遷徙模式、魚(yú)類(lèi)的枯竭、自發(fā)、栽培、本地和非本地物種之間的干擾、珊瑚，關(guān)于禁止馬車(chē)的辯論，以及在不斷變化的自然和社會(huì)氣候中保護(hù)島嶼松樹(shù)林和 maki 森林的爭(zhēng)論，”它的創(chuàng)造者說(shuō)。?

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從荷馬到奧爾多羅西，這片地中海景觀還借鑒了傳統(tǒng)，以及與水相關(guān)的建筑和設(shè)計(jì)敘事，由三個(gè)裝置組成。'[有]一個(gè)地球平臺(tái)，代表島嶼的土壤；海洋水磨石獎(jiǎng)?wù)拢墒占?Büyükada 的貝殼和巖石制成；以及棲息地和喂鳥(niǎo)器的網(wǎng)格，供候鳥(niǎo)和海鷗休息，”科維尼和貝洛蒂解釋說(shuō)。?

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由伊斯坦布爾文化藝術(shù)基金會(huì) (?KSV) 組織的題為“同理心重溫：多人設(shè)計(jì)”的雙年展從即日起至 2021 年 11 月舉行，由 VitrA 贊助，并得到土耳其共和國(guó)文化和旅游部和 Borsa 的支持伊斯坦布爾。策展人 Mariana Pestana 和導(dǎo)演 Deniz Ova 監(jiān)督了許多活動(dòng)，這個(gè)浮動(dòng)花園就是其中之一。

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雙年展結(jié)束后，這件作品的種植和建筑元素將被捐贈(zèng)并永久安裝在馬爾馬拉海最大的王子群島 Büyükada。

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英文版

Studio Ossidiana crafts a playful and sculptural floating garden, Büyükada Songlines, as part of the 5th Istanbul Design Biennial.

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Alessandra Covini and Giovanni Bellotti of dynamic design and architecture practice Studio Ossidiana have released the first visuals of their striking floating garden; Büyükada Songlines, a playful and sculptural architectural garden piece, is part of the 5th Istanbul Design Biennial and has just started cruising off the coasts of the Sea of Marmara and the Bosporus, connecting Istanbul’s Princes’ Islands with the city’s Asian and European shores.?

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The piece takes inspiration from travel writer Bruce Chatwin’s diaries, explain the team. Consistent with Studio Ossidiana’s explorations with forms and material, the garden is informed by ‘the unique Mediterranean microclimate, the evolving migration patterns of birds, the depletion of fish, the interferences between spontaneous, cultivated, native and non-native species, the transplantation of corals, the debates on banning horse carriages and the conservation of the islands’ pine and maki forests within an evolving physical and social climate’, say its creators.?

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Drawing also on traditions, and architectural and design narratives linked with water, from Homer to Aldo Rossi, this Mediterranean landscape is inhabited by three installations. ‘[There is] an earthly platform, representative of the soils of the islands; a marine terrazzo medallion, made with shells and rocks gathered in Büyükada; and a grid of perches and bird feeders, for migratory birds and gulls to rest upon,’ explain Covini and Bellotti.?

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Titled Empathy Revisited: Designs for more than one and organised by the Istanbul Foundation for Culture and Arts (?KSV) the biennal runs from now until November 2021 and is sponsored by VitrA and supported by the Republic of Turkey Ministry of Culture and Tourism, and Borsa Istanbul. Curator Mariana Pestana and director Deniz Ova have overseen a number of events, of which this floating garden is one.

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Once the biennal is over, the piece’s planting and architectural elements will be donated and permanently installed in Büyükada, the largest of the Princes’ Islands in the Sea of Marmara.?

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